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Ma offers an innovative study of three provocative Chinese directors: Wong Kar-wai, Hou Hsiao-hsien, and Tsai Ming-liang. Focusing on the highly stylized and nonlinear configurations of time in each director’s films, she argues that these directors have brought new global respect for Chinese cinema in amplifying motifs of loss, nostalgia, haunting, absence and ephemeral poetics. Hou, Tsai, and Wong all insist on the significance of being out of time, not merely out of place, as a condition of global modernity. Ma argues that their films collectively foreground the central place of contemporary Chinese films in a transnational culture of memory, characterized by a distinctive melancholy that highlights the difficulty of binding together past and present into a meaningful narrative.
作者簡介
Jean Ma
Jean Ma is assistant professor in the Department of Art and Art History at Stanford University, where she teaches in the Film and Media Studies Program. She is the coeditor, with Karen Beckman, of Still Moving: Between Cinema and Photography (2008).
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網購強檔
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作者： JEAN MA
新功能介紹- 出版社：香港大學出版社
新功能介紹 - 出版日期：2010/07/01
- 語言：英文
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網購強檔
作者： JEAN MA
新功能介紹- 出版社：香港大學出版社
新功能介紹 - 出版日期：2010/07/01
- 語言：英文
Ma offers an innovative study of three provocative Chinese directors: Wong Kar-wai, Hou Hsiao-hsien, and Tsai Ming-liang. Focusing on the highly stylized and nonlinear configurations of time in each director’s films, she argues that these directors have brought new global respect for Chinese cinema in amplifying motifs of loss, nostalgia, haunting, absence and ephemeral poetics. Hou, Tsai, and Wong all insist on the significance of being out of time, not merely out of place, as a condition of global modernity. Ma argues that their films collectively foreground the central place of contemporary Chinese films in a transnational culture of memory, characterized by a distinctive melancholy that highlights the difficulty of binding together past and present into a meaningful narrative.
作者簡介
Jean Ma
Jean Ma is assistant professor in the Department of Art and Art History at Stanford University, where she teaches in the Film and Media Studies Program. She is the coeditor, with Karen Beckman, of Still Moving: Between Cinema and Photography (2008).
Melancholy Drift：Marking Time in Chinese Cinema
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Melancholy Drift：Marking Time in Chinese Cinema
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